The Half-Story
From Amar Kanwar’s films at Serpentine North to being asked where I’m from: an essay on labels, many allegiances and reading the truth in layers.
From Amar Kanwar’s films at Serpentine North to being asked where I’m from: an essay on labels, many allegiances and reading the truth in layers.
My grandmother’s stories of kings, prophets and magic, told beneath a hazelnut tree in Damavand, taught me that memory lives in the retelling. Three painters, Angel Otero, Mónica Pérez and Jun Martínez, carry that same work into paint.